Lifestyle
TIFF announces Writers’ Studio Class of 2024
Published
2 years agoon

TIFF has unveiled the lineup for the 2024 Writers’ Studio, an annual program fostering the next generation of storytellers. This year marks the 13th edition of the collaborative, five-day intensive lab, designed to empower Canadian and international screenwriters and writer-directors. From a pool of more than 200 submissions, TIFF has selected a cohort Zhannat Alshanova, Aram Collier, Rebecca Fisseha, Sophie Jarvis, Amy Trefry, and Asia Youngman.
The Writers’ Studio is a space to consolidate skills, exchange ideas, and navigate challenges, while participating in workshops, artist talks, peer-to-peer mentorships, and one-on-one project development consultations guided by industry experts. Writers’ Studio will take place April 15–19, 2024, at TIFF Lightbox.
“Programs like the Writers’ Studio continue to ignite and drive talent, both in Canada and on the global stage,” said Anita Lee, Chief Programming Officer, TIFF. “At TIFF, our commitment to fostering new talent will continue to grow with a focus on providing industry expertise and unparalleled access to industry leaders, ensuring the program’s enduring impact year after year.”
This year’s lab will support the development of feature-film scripts through dedicated one-on-one discussions with international story consultants Trey Ellis and Christina Lazaridi. Additionally, the participants will engage in daily artist talks and workshops facilitated by renowned filmmakers and industry experts including Ashley Comeau, Brad Fraser, Howard Wiseman and Emma Donoghue. Canadian actors, Getenesh Berhe, Vivien Endicott-Douglas, Thomas Antony Olajide and Ajuawak Kapashesit, will join for a full-day workshop of the projects in development.
New this year, the Sloan Science and Technology Writer Fellowship will offer a project development grant and targeted creative support for one emerging to mid-level feature film screenwriter whose project explores themes of science and technology. This year’s selected recipient is Amy Trefry for her project Lenin’s Embalmers, co-written with playwright Vern Thiessen. Funding for this programme is provided by the Alfred P. Sloan Foundation’s Public Understanding of Science and Technology program.
Now in its third year, the Renee Perlmutter Memorial Fellowship for Literary Adaptation provides a Writers’ Studio participant focusing on adapting literary work for the screen with an additional grant toward developing their project. This year’s Renee Perlmutter Memorial Fellow is Rebecca Fisseha, who is working on an adaptation of her own debut novel Daughters of Silence.
Four participants from the 2024 class will also be awarded a grant generously supported by CHANEL, through the CHANEL Women Creators’ Network, to further the development of their feature-length script.
Notable TIFF Talent alumni include filmmakers Meredith Hama-Brown (Seagrass), Fawzia Mirza (The Queen of My Dreams), D. W. Waterson, and Devery Kawennáhere Jacobs (Backspot), Pier-Philippe Chevigny (Richelieu), Jasmin Mozaffari (Motherland), Lillah Halla (Power Alley), Álvaro Gago Dias (Matria), and Johanna Pyykkö (My Wonderful Stranger). Following their involvement in TIFF Talent Development programmes, many of these filmmakers have gone on to present their films at the Toronto International Film Festival, the Berlinale, and Cannes.
2024 TIFF Writers’ Studio participant biographies:

Zhannat Alshanova (UK)
Present Perfect
Originally from Kazakhstan, Zhannat is a London-based writer, director, and producer. Her short films has been screened at numerous international film festivals, such as Cannes, Sundance, TIFF, Locarno (Pardino d’Argento award for the Best Short Film). She is a London Film School (MA in Filmmaking) and Berlinale Talents alum.

Aram Collier (Canada)
Intro to Swimming
Aram’s feature, documentary, and experimental films have played festivals across North America and internationally. Collier is a mixed-race Asian Canadian/American originally from San Francisco, now based in Toronto, Canada. His Asian diasporic stories deal with race and class through a humanist lens of observed ironies.

Rebecca Fisseha (Canada)
Daughters of Silence
Rebecca Fisseha is an Ethiopian Canadian writer whose short stories, creative non-fiction, personal essays, and articles appear in various publications, most recently in Addis Ababa Noir, the Humber Literary Review, and Tongues: On Longing and Belonging Through Language. Born in Addis Ababa and raised there and in Austria and Switzerland, Rebecca is now based in Toronto, where she is working on the screenplay adaptation of her first novel, Daughters of Silence (Goose Lane Editions, 2019), and on completing her second novel, Only Because It’s You (Doubleday Canada, Spring 2025). Fisseha is a graduate of the Vancouver Film School’s program in Writing for Film & Television.

Sophie Jarvis (Canada)
Taking the Waters
Sophie Jarvis is a Swiss Canadian filmmaker whose feature debut Until Branches Bend (TIFF ’22, SXSW ’23, Locarno ’23) earned her a nomination for Best Original Screenplay at the Canadian Screen Awards in 2023. Jarvis’ background as a production designer deeply informs her practice as a writer and director.

Amy Trefry (Canada)
Lenin’s Embalmers
Amy Trefry is an emerging Canadian filmmaker, who elevates marginalized voices as a queer, non-binary storyteller. Their Masters in Environmental Sociology and upbringing on a Peregrine Falcon breeding facility fuel narratives entwining social and environmental themes. They are a 2022 graduate of the Canadian Film Centre, and were selected as one of ten emerging Canadian Television Producers by RDV Canada in 2021. Collaborating with playwright Vern Thiessin and guided by industry mentors, Trefry blends science and filmmaking, striving for cinematic inclusivity and representation.

Asia Youngman (Canada)
Until It’s Time to Go
Asia Youngman is an award-winning Indigenous (Cree-Métis) filmmaker. She co-wrote, co-directed and executive produced I’m Just Here for the Riot (2023) for ESPN’s 30 for 30 series. Her previous short films include N’xaxaitk’w (2022) and This Ink Runs Deep (2019), both of which premiered at the Toronto International Film Festival.
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Lifestyle
Why Brits are being told to keep three days of emergency supplies at home?
Published
14 hours agoon
September 10, 2026
Brits are being urged to keep enough emergency food and water at home to last several days as the UK faces a growing risk of extreme weather.
Environment Secretary Angela Eagle has encouraged households to prepare for situations where storms or flooding could leave them temporarily without power or water.
The warning comes as an unusually powerful El Niño develops in the Pacific. Its effects vary around the world, but the Met Office says it could increase the chance of wetter and stormier conditions in the UK from October to December.
However, this isn’t a call to panic-buy or fill every kitchen cupboard with tins. The government has recommended keeping basic emergency supplies at home since 2024, covering risks from floods and power cuts to water outages.
The latest warning is instead putting renewed attention on how prepared UK households actually are.
What emergency food supplies should you keep at home?
Government advice recommends keeping food that doesn’t need cooking, such as tinned meat, fruit and vegetables. A manual tin opener is also useful – particularly if the power is out and the electric one suddenly becomes an expensive kitchen ornament.
Water matters too. The government recommends at least 2.5 to three litres of drinking water per person each day, although around 10 litres per person would provide additional water for basic cooking and hygiene.
Other useful emergency supplies include a torch, batteries, a battery or wind-up radio, a portable power bank, first-aid supplies and essential medication.
Crucially, households aren’t being told to rush out and buy everything at once. The government’s advice is to gradually build up supplies that suit the needs of the people – and pets – living at home.
Four in 10 households don’t have enough food to last three days
The timing of the warning is significant because recent government research suggests many households remain poorly prepared.
A survey of 10,791 UK adults found that 60% had enough non-perishable food requiring no cooking to last their household for around three days. That’s down from 66% in 2025.
Water supplies appear even more limited. Based on the recommended three litres per person per day, just 4% of respondents reported enough bottled water to cover their household for at least three days.
Cost is one reason people aren’t better prepared. Almost three in 10 respondents said a lack of money had stopped them taking further steps, while 18% said they simply didn’t have enough storage space.
Meanwhile, the National Audit Office has warned that extreme weather, disease and cyber-attacks pose increasing risks to Britain’s food supply chains. The UK imports more than a third of its food, adding another potential vulnerability when major disruption occurs.
Lifestyle
243 arrests made on first full day of Notting Hill Carnival 2026
Published
1 week agoon
August 31, 2026
The Metropolitan Police has confirmed 243 arrests were made during the first full day of Notting Hill Carnival 2026, as the major policing operation continues across west London on Bank Holiday Monday.
The updated figure was released at 11am on Monday, 31 August, following Sunday’s Families and Children’s Day celebrations.
Of the 243 arrests, 97 took place on the approaches to Carnival, with the remainder made within the event footprint itself.
A total of 61 arrests resulted from identifications using live facial recognition (LFR), which has been deployed more extensively around Carnival this year.
Live facial recognition leads to 61 arrests
Sunday’s arrests covered drug and weapons offences, sexual offences and assaults, including attacks on emergency workers.
Live facial recognition has played a prominent role in this year’s policing operation. The technology also identified 26 registered sex offenders, allowing officers to check whether they were complying with restrictions placed on them. Three were arrested for breaching those conditions.
Police also responded to two knife assaults during Sunday’s Carnival. One person suffered a slash injury to the leg and another to the hand. Neither injury was described as life-changing or life-threatening.
Commander Claire Smart, who is leading the policing operation, said: “The organisers have stepped forward significantly across the event, including crowd management, and we have seen the positive progress today. While we have seen a significant number of arrests and interventions by officers, the result of that proactive approach is a welcome reduction in the levels of serious violence seen at the event in previous years.”
She added that nobody involved in delivering the event was complacent, with officers remaining across the Carnival footprint as crowds dispersed and continuing their work overnight and into Monday.
More than 7,000 officers deployed for Carnival
More than 7,000 officers are being deployed across west London over the Carnival weekend, with policing continuing throughout Monday’s main Adults Day celebrations.
The operation began well before Carnival itself. More than 330 people considered by police to pose a significant risk were made subject to bail conditions preventing them from attending.
Police also seized weapons during operations ahead of the event, including 66 zombie knives in north-east London. Another operation in east London recovered 10 zombie knives, 30 flick knives and a machete.
A Section 60 order is also in place for the duration of Carnival, giving officers additional stop-and-search powers to look for weapons.
Notting Hill Carnival is celebrating its 60th anniversary this year, with the Met describing Sunday’s atmosphere as “overwhelmingly positive and celebratory”.
The policing operation continues throughout Bank Holiday Monday, with the Met due to release its next update at 8pm.

Passengers at London Waterloo will now see security dogs patrolling the station as part of a new three-month trial. South Western Railway (SWR) says Waterloo is the first major railway station in Britain to introduce regular security dog patrols.
Three experienced dogs have joined the security team: Cocker Spaniels Riley and Buster and Labrador Flo. The dogs started patrols this month and will provide an extra visible security presence. However, SWR says the move does not relate to any increased security threat.
The trial comes at one of Britain’s busiest transport hubs. Official figures show London Waterloo recorded 70.4 million passenger entries and exits in 2024–25. That made it the second-most-used railway station in Great Britain, behind London Liverpool Street. Waterloo also climbed from fourth place the previous year. The figures underline the scale of the security challenge at a station used by millions of passengers each year.
Meet Waterloo’s new security dogs
Riley, 11, Buster, nine, and Flo, 10, already have years of experience as working dogs. Their three-month assignment at London Waterloo will be their final deployment before retirement.
SWR and Network Rail Wessex have partnered with Alpha Canine Specialists for the trial. The company provides certified security dogs and trained handlers.
“Security needs constant innovation and we’re taking positive steps to reassure our customers that we take their safety very seriously,” said Dan Harrison, Station Manager at London Waterloo.
Harrison also stressed that passengers should not view the patrols as a response to a new threat.
“Deploying these dogs is not linked to any increased threat. It’s simply part of providing more visual deterrence and offering our customers some additional reassurance.”
London Waterloo steps up passenger security
Meanwhile, railway bosses have introduced several other measures to improve safety at London Waterloo and across the SWR network.
Staff now use body-worn cameras to help tackle abuse and assaults. In addition, SWR is renewing and upgrading CCTV across its network.
The railway has also invested in a South Bank BID outreach worker. The worker engages with vulnerable young people around London Waterloo.
These efforts have already gained industry recognition. SWR received maximum marks in the British Transport Police’s Safeguarding on Rail Scheme for the past three years. Station staff at Waterloo also wear shared high-visibility uniforms. As a result, passengers can identify staff more easily when they need help.
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