With the fast approaching of the day when a ceremony will reveal the winning film of the Palme d’Or at Cannes this year, some films are already in the lead to take the prize home.
The Cannes Film Festival kicked off on May 16th with the premiere of the film “Jeanne Du Barry,” starring American actor Johnny Depp. Over the past few days, nearly 20 films in the official selection, competing for the Palme d’Or, have been screened at the Grand theatre Lumière, in Cannes.
But which films stand a real chance to win the prize? With a very diverse list of 21 productions competing for the Palme d’Or in 2023 – seven of them directed by women – the competition is certainly fierce.
Here are three films with chances to win the Palme d’Or at the 2023 Cannes Film Festival.
Natalie Portman and Julianne Moore stars in May December
May December
If a massive streaming platform buying a production is anything to go by, Todd Haynes first feature since documentary The Velvet Underground screened out of Competition two years ago – is his fourth to play in Competition – is off to a good start when, halfway the Cannes Film Festival this year, Netflix bought ‘May December’ for $11 Million.
The film, starring Natalie Portman and Julianne Moore, portrays a scandalous age-gap relationship and debuted on Saturday to a six-minute standing ovation. Oscar-winner Julianne Moore plays the “December” to Charles Melton’s much-younger “May,” who was just 13 when the two fell in love. As a result of a 20-year age gap, their marriage ignited a scandal that captivated national tabloids in the past. Now, decades later, their enduring bond faces a pivotal moment of examination when May travels to Georgia to study the life of Moore’s character, whom she’s set to play in a film.
The Old Oak, Ken Loach’s new film, is competing for a Palme d’Or in Cannes
The Old Oak
The Old Oak, Ken Loach’s new film starring Debbie Honeywood and Ebla Mari, is another strong contender to win the Palme d’Or in 2023. The British production tells the story of a pub landlord in a previously thriving mining community who struggles to hold onto his pub, whilst tensions rise in the town when Syrian refugees are placed in the empty houses in the community. Loach is used to the red carpet in the French riviera: Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016), received the Palme d’Or at the Cannes Film Festival, making him one of only nine filmmakers to win the award twice. Loach also holds the record for most films in the main competition at Cannes, with fifteen films.
Steve Carell stars in Wes Anderson’s Asteroid City | Photo: 87 Productions/Focus Features
Asteroid City
If Tiktokers could vote for best films shown in Cannes, Wes Anderson would win by a landslide with his very distinctive cinematic style that, in 2023, has been getting social media users to turn their own lives into 20-second movies wrapped with ‘The French Dispatch’ song “Obituary” by composer Alexandre Desplat.
In Asteroid City he unashamedly repeats the formula, with his signature pastel colour palette and symmetric shots. The story of a convention organized to bring together students and parents from across the country for fellowship and scholarly competition that is disrupted by world unexpected events could barely worth a short film. But with his several lateral tracking shots that long have been one of his trademarks, Wes proves that cinema can be creative and captivating to a younger audience that is more used to watch streamed content – or to chronicle their lives in 20-second short videos posted on TikTok.
The list of 21 films in competition in Cannes also includes Firebrand by Karim Aïnouz, Rapito (Kidnapped) by Marco Bellocchio, Les Filles d’Olfa (Four Daughters) by Kaouther Ben Hania, L’Été dernier (Last Summer) by Catherine Breillat,Kuru Otlar Ustune (About Dry Grasses) by Nuri Bilge Ceylan, Le Retour (Homecoming) by Catherine Corsini, The Zone of Interest by Jonathan Glazer, Club Zero by Jessica Hausner, Monster by Kore-Eda Hirokazu, Kuolleet Lehdet (Fallen Leaves) (Fallen Leaves) by Aki Kaurismäki, Il Sol dell’ avvenire (A Brighter Tomorrow) by Nanni Moretti, La Chimera by Alice Rohrwacher, Black Flies by Jean-Stéphane Sauvaire, Banel e Adama by Ramata-Toulaye Sy, La Passion de Dodin Bouffant (The Pot-au-Feu) by Tran Anh Hùng, Anatomie d’une chute (Anatomy of a Fall) by Justine Triet, Jeunesse (Le Printemps) (Youth (Spring)) by Wang Bing and Perfect Days by Wim Wenders.
On Saturday, after 11 days of Festival, the Jury will give the awards during a Closing Ceremony scheduled to take place on May 27 from 8:30 pm (Central European Time –
Survey shows that 45% of Brits have driven without making sure that their screens and mirrors were properly clear
As winter takes hold and temperatures start to drop, a recent research by Aviva reveals the most common mistakes drivers could be making when it comes to getting behind the wheel this winter.
The research, which surveyed 2,000 Brits, reveals that more than a quarter (28%) are leaving their cars running to de-ice screens, with older generations most likely to take the risk. Over a third of those aged 75+ (41%) and those aged 65-74 (34%) leave their car on to de-ice screens, compared to 17% of 18-24 year-olds and 24% of 25-34 year-olds.
By doing so, Brits may be unwittingly putting themselves at risk with most car insurance policies excluding thefts of vehicles while the engine is still running. This is also an offence under Section 42 of the Road Traffic Act 1988 which states that drivers cannot leave vehicles running and unattended while on a public highway, otherwise known as ‘quitting’.
When looking at visibility, the research reveals that almost half (45%) of Brits have driven without making sure that their screens and mirrors were properly clear. By doing so, motorists could also be risking a fine under Section 229 of the Highway Code, which states that all drivers ‘must be able to see, so clear all snow and ice from all windows’.
The top 10 winter driving habits that could cause issues:
1. I have left my car running to de-ice the screen and warm it up: 28% 2. I have driven in gloves: 21% 3. I have driven in a big winter coat: 20% 4. I have driven even though there is snow on the top of my car: 19% 5. I have driven even though the screen was not fully de-iced or de-misted: 16% 6. I have driven without checking that my number plate was clear: 16% 7. I have driven even though the screen wasn’t clear: 15% 8. I have driven even though I was too tired: 14% 9. I have driven even though the mirrors weren’t fully clear: 14% 10. I have driven through floodwater or a ford: 13%
“While we all want to get to our next destination as quickly as possible, it pays to be safe, particularly as the risk of an accident typically increases during the winter months. Spending five or ten minutes to prepare your car means that not only are you more likely to avoid an accident, but also a hefty fine – which can be as much as £1,000 – points on your licence or even a driving ban in the worst case scenario”, says Martin Smith, Motor Claims Manager at Aviva.
Other British driving habits include leaving the car unlocked to quickly pop into somewhere (13%), pouring boiling water over a car windscreen to de-ice it (11%) as well as wearing inappropriate footwear such as heels (9%) or wellies/snowboots (7%). Those driving whilst wearing inappropriate clothing and footwear could also risk a fine under Rule 97 of the Highway code which states that you should ensure: ‘clothing and footwear do not prevent you using the controls in the correct manner’.
The Bulgarian ski resort of Borovets comes out on top as the cheapest, where a beer costs just £1.17 and a lift pass costs less than £30 a day
Whether you are a seasoned skier or a first-timer, one thing that is for sure is that skiing can be a very expensive trip. Even if you don’t enrol for a celebrity-like skiing weekend, following on the footsteps of Kim Kardashian, Orlando Bloom, or Gwyneth Paltrow, the costs can pile up. as research shows Brits fork out between £500 and £750 per person on spending money for a ski trip.
If you are keen to hit the slopes but are being mindful of the pennies, here is a shortlist of five of the cheapest resorts you can visit in Europe, based on the average cost of a lift pass, accommodation, ski rental, and of course food and drinks.
“Skiing can be a very expensive holiday, especially for families. However, there are some fantastic resorts out there offering surprisingly reasonable prices, without compromising on those amazing views and fantastic ski runs”, says Laura Evans-Fisk, head of digital and engagement at eurochange. “Borovets in Bulgaria came out on top as the cheapest ski resort. It’s definitely an underrated destination, with unbelievably low prices for food and drink, and a whole week lift pass for less than £150.”
Borovets, Bulgaria
Topping the list is bargain-friendly Borovets, Bulgaria. The country is quickly becoming a cheap and cheerful favourite spot for skiers, and it’s easy to see why. Located in the Rila mountains, Borovets is an all-round resort providing luxury amenities at very reasonable prices. With fabulous nightlife as well as gentle slopes for beginners, it’s an ideal destination for adults and families alike. Ski passes start from just £29 per day, so you could really save some cash if you visit for just a few days.
Adult lift pass (6 days): Лв370 (£143.75)
Ski rental (6 days): Лв155 (£60.22)
Accommodation (per night): From Лв135 (£52.45)
Beer: Лв3 (£1.17)
Wine: Лв6 (£2.33)
3-course meal: Лв15 (£5.83)
Vogel, Slovenia
Lesser known than its Austrian and Italian neighbours, Slovenia’s Vogel resort is no less spectacular. Tucked away in the stunning Julian Alps, Vogel offers exceptional value alongside outstanding snow sports facilities and stunning views. The après is one of the cheapest around, with beer costing just €2, and a three-course meal setting you back just €17.
Les Houches, France
For a Mont Blanc ski holiday without the Chamonix prices, look no further than Les Houches. A top choice for families, this picturesque village is quiet at night, while the neighbouring high-altitude areas are perfect for advanced skiers. A six-day adult ski pass is less than £200 and equipment can be rented for less than £100 for the week.
Adult lift pass (6 days): €197 (£158.46)
Ski rental (6 days): from €114 (£91.70)
Accommodation (per night): From €77 (£61.94)
Beer: €2 (£1.61)
Wine: €5 (£4.02)
3-course meal: €20 (£16.09)
Livigno, Italy
Nestled in the heart of the Alps, Italy‘s Livigno offers sterling snowsport facilities for all skill levels, from absolute beginners to black slope aficionados. And thanks to its tax-exempt status, Livigno provides premium resort standards at budget prices, giving you far more for your euros than most other ski destinations on the continent.
Adult lift pass (6 days): €223* (£179.38)
Ski rental (6 days): from €74.00* (£59.52)
Accommodation (per night): From €101 (£81.24)
Beer: €3 (£2.41)
Wine: €10 (£8.04)
3-course meal: €30 (£24.13)
Grindelwald is one of the more affordable resorts for getting the Swiss ski holiday experience.
Grindelwald, Switzerland
While Switzerland tends to be an expensive country to visit, Grindelwald is one of the more affordable resorts for getting the Swiss ski holiday experience. Even if you’re not a keen skier, there are plenty of other activities to try out, including tobogganing and winter walking. Set in the beautiful Jungfrau mountains, Grindelwald provides a picture-perfect slice of the Alps for far less than you’d expect.
The two-day event held at the Salon Corderie features work from five photographers, all shot on iPhone
“I Remember You,” a two-day photography exhibition, has opened today in Paris highlighting original work shot on iPhone 15 Pro Max.
The collective work of photographers Malin Fezehai, Karl Hab, Vivien Liu, Mika Ninagawa, and Stefan Ruiz incorporates people, places, and things that move them, exploring memories and the power of photography to preserve them.
“‘I Remember You’ brings together five photographers who share their deeply personal conceptions of memory, connection, and nostalgia,” explains Isolde Brielmaier, Ph.D., the exhibition’s curatorial advisor. “It is a moving glimpse of life, preserved in time.”
In celebration of the opening, each artist spoke about how iPhone has contributed to their creative process and what they hope people will remember from their featured work.
Malin Fezehai is an Eritrean/Swedish photographer, filmmaker, and visual reporter currently living in New York. She has worked in over 40 countries in the Middle East, Africa, Asia, and America. Fezehai is a National Geographic explorer, and in 2023, she became a Climate Pledge grantee. She is working on a project about adaptation to living on water. Her career started in her native Sweden, where she studied photography before attending the International Center of Photography in New York. Her work focuses on communities of displacement and dislocation around the world. She was commissioned by the United Nations Development Programme to photograph survivors of violent extremism across sub-Saharan Africa and published a book titled Survivors. She has received a 2015 World Press Photo Award and the Wallis Annenberg Prize, and was named one of the “30 Emerging Photographers to Watch” in 2015 by Photo District News. Her image depicting a wedding of Eritrean refugees in Israel was the first iPhone photo ever to receive a World Press Photo Award.
“The integration of the iPhone into my photography workflow marked a significant shift in how I perceive and capture the world around me — feeling more inclined to capture life as it happens — the fleeting, candid moments that often define the human experience,” Fezehai says. “Its ease of use and ability to capture high-quality images effortlessly enables me to explore and document the ordinary in extraordinary ways. That sentiment is embodied in the work I created for the show.”
“I Remember You” will be on display at the Salon Corderie in Le Marais in Paris on Friday, November 10, and Saturday, November 11, from 11 am to 7 pm.