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Cannes Film Festival is screening classics and new releases at the beach

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La Plage in Cannes ready for daily screenings
10 films will be screened free of charge Cinéma de la plage 2022 | Photo: © Joachim Tournebize / FDC

Featuring a variety of worldwide productions, the Cannes Film Festival’s Cinema de la Plage is screening daily a mix of restored classics, cult films and premieres.

Open to all audiences, the Cinema de la Plage takes place on the beach every evening, from 9:30 pm and remains free of charge. The program, which runs alongside the Official Selection, will celebrate the 50th anniversary of Francis Ford Coppola’s “The Godfather,” the 40th anniversary of Steven Spielberg’s “E.T.,” as well as Peter Weir’s “The Truman Show” featuring Golden Globe Award winner Jim Carrey.

Other movies on the Cinema de la Plage lineup include “Spinal Tap”, a mocumentary classic of the 1980’s directed by Rob Reiner about a fictional English heavy metal band. A sequel to the film, with the original director and cast, will be released in 2024. Henri Verneuil’s French cinema classic “A Monkey in Winter” with the late Jean-Paul Belmondo, as well as Christian-Jaque’s “Fanfan la tulipe” which had world premiere in competition at the Cannes Film Festival in the 50s, are also part of this year’s lineup.

Cinema de la Plage 2022 lineup until May 28th:

Wednesday, May 18
Spinal Tap (1984, 1h22, United States) directed by Rob Reiner

The cult classic mockumentary of the 80s about a fictional heavy metal will be showcased at the Cinema de la Plage on Wednesday, May 18th, and a sequel to the film is in the works with the original director and cast.

Reiner will direct ‘Spinal Tap II’, expected to hit the screens in 2024, and return as filmmaker Marty DiBergi. Also back are David St. Hubbins (Michael McKean), Derek Smalls (Harry Shearer), and Nigel Tufnel (Christopher Guest), the nucleus of England’s loudest and sauciest heavy metal band.

 

Thursday, May 19
Le Pacte des loups / Brotherhood of the Wolf (2001, 2h22, France) directed by Christophe Gans

In the Cannes Classics’ selection, a stand-out restoration for an explosive movie! A vibrant story and cast to be rediscovered on the Cannes beach, thanks to Metropolitan.
For the 20th anniversary of Christophe Gans’ Le Pacte des loups, rediscover the unabridged version of this movie in restored 4K Dolby Atmos – with 4K post-production work being supervised by the original film team was put in place and unedited original negatives used to reconstitute the original movie.

 

Est-Ouest (1999) directed by Régis Wargnier

Friday, May 20
Est-Ouest (1999, 2h01, Russia / Ukraine ) directed by Régis Wargnier

A great adventure movie, from one of the genre’s French masters. It was subject to a riveting production diary, and partially filmed in Kiev, Ukraine. This movie was nominated for Best Picture at the César awards and for Best International Feature Film at the Oscars in 2000. Screening this movie is also a way for us to show our support for the Ukrainian people and their hardships. Director Régis Wargnier will be in attendance.

 

Saturday, May 21
The Godfather (1972, 2h55, United States) directed by Francis Ford Coppola

For this monument film’s 50th anniversary, and the 100th anniversary of the MPA (Motion Picture Association), rediscover Francis Ford Coppola’s masterpiece and the Corleone family’s odyssey. Career-defining performances for a legendary saga.

Sunday, May 22
Un Singe en hiver / A Monkey in Winter (1962, 1h43, France) directed by Henri Verneuil

A French Cinema classic and hommage to the stars of stars, Jean-Paul Belmondo and Jean Gabin through the story of one night’s drunken shenanigans and memorable dialogue penned by Michel Audiard.

 

La Cour des miracles (Save Our School) directed by Carine May and Hakim Zouhani 

La Cour des miracles (2022) directed by Carine May and Hakim Zouhani

Monday, May 23
La Cour des miracles (Save Our School) directed by Carine May and Hakim Zouhani

Two world premieres will take place on the beach in Cannes as part of the 2022 Cinema de la Plage lineup : Carine May and Hakim Zouhani’s Save Our School, a French comedy about two teachers’ attempts to establish Paris’ first suburban ‘green school’. The screening will be attended by the filmmakers and cast members Anaïde Rozam, Sérigne M’Baye, Gilbert Melki, Sébastien Chassagne and Mourad Boudaoud.

 

Tuesday, May 24
Strictly Ballroom (1992, 1h34, Australia) directed by Baz Luhrmann

Baz Luhrmann’s first film, who is also present this year at Cannes with Elvis in the Official Selection, the visionary director behind Romeo + Juliette, Moulin Rouge! and The Great Gatsby.

All the ingredients are there to awe you: dance, music, glitz and glamour! A stylized and enchanting romantic comedy. The National Film and Sound Archive of Australia, M&A Films, Baz Luhrmann and Spectrum Films have collaborated to digitally preserve and restore Baz Luhrmann’s first feature, Strictly Ballroom in the Cannes Classics’ selection. This 4K restoration utilized original materials held in the NFSA’s collection staying true to the film’s original presentation in 1992.

 

Wednesday, May 25 
Christophe… Definitely(2022, 1h26, France) directed by Ange Leccia and Dominique Gonzales-Foerster

Christophe… définitivement (Christophe… Definitely) a musical documentary directed by Ange Leccia and Dominique Gonzales-Foerster and featuring the story of the unforgettable and nocturnal musician, author of the legendary song Aline (most recently featured in Wes Anderson’s The French Dispatch), is also amongst the new films scheduled to premiere for the public at the French Riviera.

 

E.T. the Extra-Terrestrial (1982), directed by Steven Spielberg

Thursday, May 26
E.T. the Extra-Terrestrial (1982, 1h55, United-States) directed by Steven Spielberg

Spielberg, E.T. and Cannes. Still to this day, those names put together elicit excitement and enthusiasm from the world and festival-goers, the same excitement and enthusiasm already there in 1982 as this film from Steven Spielberg still enchants generations. This movie, which was shown at the Closing Ceremony of the 35th Festival de Cannes the 26th of May 1982, will have a comeback on the same day this year. It was the last movie shown at the old Palais des Festivals and holds a special place for its director and the Festival. Let us all together celebrate this legendary movie’s 40th anniversary and communal history this coming Thursday May the 26th, on the Cannes beach!

 

Friday, May 27
Fanfan la tulipe (1952, 1h42, France) directed by Christian-Jaque

For Cannes native Gérard Philipe’s 100th birthday anniversary, one of his most iconic movies which was in Competition in 1952 and won the Best Director Award. An opportunity to rediscover this iconic actor, hand in hand with Gérard Philipe, le dernier hiver du Cid, a documentary on the actor screening in the Cannes Classics’ selection.

 

Saturday, May 28
The Last Picture Show (1971, 1h58, United States) directed by Peter Bogdanovich

Wrapping up the screenings of the Cinéma de la plage 2022 and a last hommage to one the great cinephile film directors, Peter Bogdanovich!  The bittersweet story of two friends growing up in rural America through hardship, military enlistment, heartbreak and alcohol-fueled road trips.

Marcio Delgado is a Journalist, Producer and Influencer Marketing Manager working with brands and publications in Europe, America and Asia.

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London exhibition portraying unfairly censored communities is open until Friday

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Visitors at the Unseen exhibition in London
Female body and race are amongst the content being censored on social media platforms

An exhibition in the United Kingdom is showcasing images of 13 communities censored and silenced on social media platforms.

Unseen’, part of an online community project aiming to open the discussion around digital censorship, is now a public exhibition featuring posts and several stories submitted by people and small businesses who experienced their content and social media accounts being removed or shadow banned. Created by British photographer Rankin, the initiative is on display at Quantus Gallery in Shoreditch, East London.

“Censorship is a necessary tool to prevent fake news, protect children, and more. But it is often used inadvertently to silence marginalised voices,” says creative founder, Rankin. “We have had an incredible response so far, and we’re just getting started. This is an important issue, and those affected deserve to have a voice in the policies that affect them on the platforms they love and build their businesses on.” – defends the photographer known for his portraits of a variety of celebrities, from Kate Moss, Madonna and David Bowie to Queen Elizabeth II and Britney Spears.

Brands, content creators, and body-positive activists and artists have been clashing with social media networks over overly restrictive publishing guidelines for a while, with platforms such as Facebook, Instagram and TikTok regularly banning content posted worldwide.

“It is a continuous, frustrating game of whack-a-mole with platforms, so much so that I have ended up blending my Ph.D. in the moderation of online abuse with my experiences of censorship,” – Says Dr. Carolina Are, a visiting lecturer at the City University of London whom recent work focused on finding frameworks to effectively moderate social media without affecting freedom of expression, and on platforms’ moderation and censorship of nudity and sexuality.

The exhibition ‘Unseen’ will run until June 24th at Quantus Gallery 11-29 Fashion Street, London, E1 6PX.

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One in five UK adults has started a ‘side hustle’ since March 2020

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freelancer woman working from homw
38% of people surveyed used the money they earnt from a side hustle to pay for rent, clothes and even food | Photo: Jonathan Borba

One in five (19%) adults in the UK have started a ‘side hustle’ since March 2020 and, almost one in six (16%) claim to earn upwards of £1,000 a month from their new venture, according to new research from insurance provider, Aviva, conducted by Censuswide over 10 days in May, 2022.

However, only two thirds of those who started a side hustle over the past two years are still pursuing them today. 37% have returned to their day jobs being their main source of income now that lockdowns are over, and some companies expect employees to return to the office or work from home only partially.

The most popular ‘side hustle’ people chose to pursue was to ‘sell handcrafted products’ (23%), a phenomenon that saw online marketplaces for crafts and vintage items such as Etsy growing exponentially in 2020 and 2021. One in nine (11%) looking for an extra income turned to art, 9% to photography, while a similar number (10%) tried their hand at being a social media influencer – a popular choice with those aged 16-24 (13%). Other income boosters included becoming a courier (6%), driving a taxi (4%), and offering nutritional advice (4%).

When asked what their original motivation was to start a side hustle in addition to their normal, full-time job during the pandemic, most say it was financially motivated. Two in five (39%) people said they did it because they saw an opportunity to turn a hobby into an income; others to ‘make ends meet’ (30%); become financially independent (21%) or to pay off debts (18%).  Over a quarter (27%) started their new vocation to empower themselves/ gain confidence and improve their mental health, while 16% just wanted to practice the skills they had attained (i.e. photography, counseling, etc.).

“The pandemic has transformed how we relate to work. Aviva’s research reveals two sides to this story. For some, the pandemic has brought greater work-life flexibility. This appears to have fuelled a boom in ‘side hustles’. For others, the pandemic has brought greater financial strain, and this appears to have fuelled a need to look elsewhere to make ends meet.” – says Alistair McQueen, Head of Savings & Retirement at Aviva.

On average, side hustlers make around £497 a month from their secondary income, with more than one in four (28%) earning more than £500 a month.

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Young people increasingly struggling to get on the UK property ladder

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Young woman at her home lounge
Feeling the pinch: 19% of young people living in Cardiff needed to find additional employment to pay their bills, a survey has revealed | Photo: Karolina Grabowska

Despite a property market boom across the UK in recent years, the average age of a first-time buyer is up by almost two years, meaning the average Briton, now, will be 34 years old by the time they purchase their first home. 20 years ago, the average age of a first-time buyer was 31, while in the 1990s it was approximately 29, according to market analysis by Which.

And a recent survey released by independent finance broker KIS Finance has found that over 22% of 18 to 35-year-olds have been forced to take on an additional job as the cost of living crisis deepens, making home ownership out of reach for an increasing number of people.

Last week the Government’s announced a range of steps to try to help more people onto the property ladder. However, exactly how the proposed schemes will work in practice remains to be seen.

The proposal to extend the existing Right to Buy Scheme to include housing association properties could help large numbers onto the property ladder, who thought that home ownership was beyond their reach. This amendment to the original scheme, which was introduced by Margaret Thatcher in 1980 and allowed people to buy their council house at a discounted rate, could see up to 3 million low paid workers buy their own homes.

“Whilst the announcement of measures to help first-time buyers onto the housing ladder will be welcomed, it remains to be seen how the proposals will work in practice. Accepting housing benefit payments toward a mortgage will be a significant change for mortgage providers and it may take some time for the details to be worked through. However, any steps to help support young people to escape from the trap of rented accommodation will be positive and the industry needs to be ready to adapt to support the proposed changes” – says Holly Andrews, MD at KIS Finance.

Key statistics from KIS Finance’s survey also found that 22% of those aged 18 to 35 have taken on an additional job to help them afford basic items such as rent, heating, and food, and a staggering 57% of young British workers reported they are already struggling financially and expect things to get significantly worse in the near future.

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