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Adults in the UK set to boomerang back to parents to cope with cost of living

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adult daughter and mother chat outside the house
One in five independently-living adults are considering moving in with parents to save money, survey shows | Photo: Andrea Piacquadio

A fifth of independently-living adults are contemplating moving back in with parents to cope with the rising cost of living, according to a new study from Aviva.

The research, part of the insurer’s How We Live series, suggests up to 2 million1 grown-up “children” aged 18-34 could be returning to the family nest.

The survey questioned 1,500 parents and 1,500 adult children in different living arrangements. Among adults who have left their parents’ homes, one “child” in 20 (5%) says they intend to move back. A further 9% have discussed the idea with parents, but are yet to make specific plans, while another 8% have thought about it, but not yet broached the subject with parents.

Parents are even more convinced that their children will return, with almost three in 10 (28%) saying their child either plans to move home or has shown an interest in doing so. 

Official (ONS) figures show 4.8 million adults between the ages of 18 and 34 live with their parents in the UK.

Parents ask adult children to pay more rent

The study also reveals parents living with adult children may be looking to them for financial support.Around half of adults in this situation (53%) say their children pay rent for their bed and board, while a quarter contribute in other ways, such as paying for food or other bills.

Of those who collect rent from their children, the monthly average received is £197, but more than a quarter of these parents (28%) feel this amount is too little. Food is overwhelmingly the biggest cause of costs for parents in this position.

Notably, one in eight parents in these households (12%) have asked their children to start paying more and an additional third (35%) have considered increasing their children’s rent, but have yet to do so.

Two fifths of these parents (42%) also admit that the cost of living has caused conflict in their household with their children.

However, there is positive news in the living arrangement too. Two fifths (43%) of parents say the family is happy with the living arrangement and their child has no desire to move out. One parent in eight (12%) feels it would be ‘ideal’ if their child was never to leave home.

Children living with parents claim to pay more

Interestingly, when adult children are questioned about their contributions to parents, they claim to pay more than parents typically state – an average of £318 per month, with 72% of children saying they pay rent. Only 6% of children admit they don’t contribute in any way, with 22% stating they buy food or pay bills in lieu of rent.

Almost three fifths (57%) of regular rent payers also say they have started to contribute more, in response to the rising cost of living.

Financial considerations are given as the primary reason for children to remain with parents. Two fifths (40%) are trying to raise funds to buy their own home; 28% say they can’t afford rental prices in the area and 26% specifically cite the rising cost of living.

But like their parents, many in this generation see benefits too. Around a quarter (24%) state they are happy with their living arrangement (although this is notably lower than the view from parents).

“The ‘boomerang children’ trend has been around for some time now, but our research suggests the UK could see a new spike. As people count the rising cost of living, young adults may be even more likely to return home to mum and dad”, says Kelly Whittington, Aviva UK Property Claims Director.

“Financial factors are a key consideration, leading to people staying in the family home for longer – but it is reassuring that many parents and children are happy with the arrangement too.

“From an insurance perspective, if the number of people living at an address changes, customers should tell their home insurance provider, in case any policy changes are required. And if the arrangement becomes more long-term and residents decide to make structural changes to their homes – such as an extension or an additional bathroom – they should tell their insurer before work begins.”

The recent survey also highlighted that three fifths of adult children who live with parents have moved out at least once, and then returned to live with parents (59%). A fifth of people in this group have done this on more than one occasion.

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Cannes opens with French comedy and honorary award for Meryl Streep

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Actress Juliette Binoche hands an award to Meryl Steep
Meryl Streep receives a honorary Palme D’Or from Juliette Binoche | Photo: Andrea Rentz

The 77th edition of the Cannes Film Festival officially opened last night with Quentin Dupieux’s Le Deuxième Acte (The Second Act), and an honorary Palme d’Or awarded to American actress Meryl Streep.

Presented Out of Competition as a world premiere on the Croisette last night, May 14, this four-part comedy was also released in all French cinemas on the same day. The film stars Lea Seydoux, Vincent Lindon, Louis Garrel and Raphaël Quenard playing squabbling actors filming a movie produced and directed by artificial intelligence.

The opening ceremony of the 77th Festival de Cannes, hosted at the  Grand Théâtre Lumière, also had American actress Meryl Streep as a guest of honour.

Streep received the Festival’s Honorary Palme d’or, 35 years after winning the Best Actress award for Evil Angels, her only appearance in Cannes until last night.

“My mother, who is usually right about everything, said to me: ’Meryl, my darling, you’ll see. It all goes so fast. So fast,″ added Streep. “And it has, and it does. Except for my speech, which is too long,” said the three time Oscar award-winning actress.

Last year French Film director Justine Triet won the Cannes Film Festival Palme d’Or for her murder mystery film “Anatomy of a Fall” becoming the third female filmmaker ever to win the prize, which was first awarded in 1955. 

The 77th Cannes Film Festival is set to run until May 25th, when the Palme d’Or winners will be revealed, 2024.

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Exhibition in Madrid reveals science and technology behind Pixar’s films

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Exhibition in Madrid reveals science and technology behind Pixar’s films
The Science Behind Pixar can be seen at CaixaForum Madrid until 8 September.

CaixaForum Madrid is currently hosting The Science Behind Pixar exhibition, created by the Museum of Science, Boston, in collaboration with Pixar Animation Studios. The exhibition is divided into eight sections, corresponding to the steps in the process Pixar uses to transform an idea into a film. With specific examples from some of their most famous films, the public will be able to experiment with the techniques behind the modelling, rigging, surfaces, sets and cameras, animation, simulation, lighting and rendering of animated films.

This is the third collaboration between the ”la Caixa” Foundation and Pixar Studios. In 2015, Pixar: 25 Years of Animation, represented a thorough review of this pioneering company’s work in computer animation in its 25 years of history. Subsequently, Pixar, Building Characters (which has travelled to five CaixaForums since 2020) focused on the visual design of the Pixar characters to best transmit the story and fit in with the other elements of the film. Now, the eight sections of The Science Behind Pixar will give visitors an insight into every stage of the technical process used by Pixar’s artists and computer scientists

The aim of the new exhibition is to peel away, layer by layer and in a way that is attractive for all audiences, the scientific, computer and mathematical concepts that lie behind our favourite Pixar characters. To do this, the exhibition is organised into eight sections, each of which explains in depth one specific step of Pixar’s technical process: Modelling, which allows characters to be created in 3D; Rigging, in which the virtual bones, muscles and joints are developed; design of Surfaces and Sets; Animation, which brings the story to life; Simulation, which provides automated movements; Lighting, which enhances the emotional impact, and Rendering, which turns 3D scenes into 2D images.

Throughout 815 square metres in CaixaForum Madrid, visitors will learn about all these steps that Pixar pays passionate attention to in order to bring its worlds and characters to life. Dozens of interactive and audiovisual elements will reveal what is hidden behind Pixar films, from the first-ever computer-animated feature film – Toy Story – which opened over two decades ago, to the release of Turning Red.

To better understand the science and maths that go into creating the worlds and characters of Pixar’s films, visitors will see audiovisuals and hear first-hand from members of the studios’ production teams. They will also be invited to experience different roles within the production pipeline, through screen-based activities and physical interactive elements.

In the Sets & Cameras section, for example, visitors will discover how camera placement and angles created a bug’s-eye view for A Bug’s Life; in Modelling, they will try their hand at creating a digital sculpture from an artist’s sketch and in Lighting they will use lights to solve challenges similar to ones Pixar faced in creating underwater scenes with virtual light in Finding Nemo. The exhibition route also includes human-size recreations of many Pixar film characters, such as Buzz Lightyear (Toy Story), Dory (Finding Nemo), Mike and Sulley (Monsters, Inc.), Edna Mode (The Incredibles) and WALL·E (from the film of the same name).

Throughout the months that the exhibition will remain at CaixaForum Madrid, the ”la Caixa” Foundation will be offering various activities to bring the art and science of Pixar closer to all audiences. In addition, the general public can take a guided tour and families can choose between the family tour and the animated stories workshop-tour, where visitors can make a short, animated clip to understand all the phases of the creative process after visiting the exhibition.

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Switzerland wins Eurovision song contest with non-binary singer

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Non-binary singer Nemo, winner of the Eurovision 2024
Singer Nemo performed ‘The Code’ for Switzerland | Photo: Alma Bengtsson

After the very last set of scores had come in, The Code, performed by rapper Neno, was announced as the clear champion of the Eurovision Song Contest 2024 with a points tally of 591 and a lead of 44 points. 

Croatia finished in second place with Rim Tim Tagi Dim by Baby Lasagna on 547 points. The other spot on the podium finish went to Ukraine, ending up in third place thanks to alyona alyona & Jerry Heil with their song Teresa & Maria, on 453 points.

Scores on the night were awarded in two stages, as is traditional at the Eurovision Song Contest. The first results to come in were from the juries, followed by the reveal of the public vote.

Once the initial points from 37 juries had come in, Switzerland already had secured the lead on the scoreboard with 365 points.

Nemo is the first nonbinary artist to win Eurovision.

“I’m mostly just really grateful for this experience and all the friends I’ve made along the way. This was one of the most queer representations we’ve seen at Eurovision which was amazing, I want to shout out all the other queer artists this year,” said the artist who was born in Biel, a small bilingual town in Switzerland.

Nemo’s triumph in Malmö is Switzerland’s third win at the Eurovision Song Contest to date, following victory by Lys Assia in 1956 and Céline Dion in 1988.

Switzerland first participated in the Eurovision Song Contest in 1956, winning the very first edition of the competition, which it also hosted. 

It has been a controversial year for the song contest festival launched in 1956. For weeks, the question of whether Israel should be allowed to compete or not while engaged in a military conflict in Gaza dominated the media surrounding the event and attracted pro-Palestine activists to the Swedish city of Malmö. Eden Golan, a 20-year old singer representing Israel, was booed during a dress rehearsal; It has been reported that she was confined to her hotel room, while in Malmo to perform at Eurovision, after a series of threats against the Israeli delegation. Hours before the grand final, on May 11th, Dutch rapper Joost Klein, who represented the Netherlands, was disqualified from Eurovision 2024 over what the organisers described as an “incident” involving a female member of the production crew.

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